Born 1965. Lives and works in Melbourne

PhD candidate, Deakin University

MFA, Columbia University, New York

MA, University of New South Wales

BFA, University of New South Wales

Time Frames, Galerie pompom, Sydney

Settlement, Hugo Michell Gallery, Adelaide

SLIDE SHOW LAND Dorothy and Jack, Galerie pompom, Sydney

National House Search, Centre for Contemporary Photography, Melbourne
Slide Show Land, Nellie Castan Gallery, Melbourne
Art and Text, Rae and Bennett Gallery, Melbourne

Because I did it first, Hugo Michell Gallery, Adelaide

It’s about time, DEATH BE KIND, Melbourne
The fall before the fall, UTS Gallery, Sydney (with Daniel Mudie Cunningham)

Because I am Different, Hugo Michell, Adelaide
The Memorial (with Claire Lambe) DEATH BE KIND, Melbourne
Because I’m Lucky, Stigma Research Laboratory, (with John Vella) Conical, Melbourne

I AM HERE, Arthouse Gallery, Sydney

CONCRETE: art architecture design, Australian Design Centre, Sydney (touring nationally to 2022)

For Love or Money, Town Hall Gallery, Hawthorn, VIC

True Estate, Knulp, Sydney
Force Fields for Kyneton Contemporary Art Triennial
Drawing Wall, Shepparton Art Museum

Versus Rodin: Bodies across space and time, curated by Leigh Robb, Art Gallery of South Australia

Solid Gold Easy Action, Galerie pompom, Sydney
CCP Declares: On the Social Contract, curated by Pippa Milne, at the Centre for Contemporary
Photography, Melbourne
The Waiting Room, Artbank, Sydney
Future Feminist Archive Report, The Cross Art projects, Sydney
Green-eyed monster eating its own tail, curated by Barry Keldoulis, Paramount Building, Sydney
Hashtag Winning, The Bearded Tit, Sydney

Exhibit A, curated by Carrie Miller, The Lock-Up, Newcastle
Crafted History, curated by Lisa Byrne, Maroondah Art Gallery, Ringwood, VIC
Sydney Contemporary, Carriageworks, Sydney
Video Contemporary, curated by Ulanda Blair and Jess Bram, Sydney Contemporary, Carriageworks
Bad Spelling, curated by Robert Lake, Affiliated Text, Sydney
Writing Art, curated by Scott Donovan, Artspace, Sydney
Octopus 15: Lost and Profound, curated by Daniel Mudie Cunningham, Gertrude Contemporary, Melbourne
Transmission: Legacies of the Television Age, curated by Maggie Finch, National Gallery of Victoria

Rendevoodoo, curated by Brigid Noone, Fontanelle Gallery, Adelaide
Curating Feminism, Sydney College of the Arts Galleries, Sydney
Benglis 73/74, curated by Geoff Newton, Sutton Project Space, Melbourne
Re-raising Conciousness, curated by Fayen deEvie, TCB, Melbourne
FIN, Utopian Slumps, Melbourne

Stockland, Galerie pompom, Sydney
Dirt, Dust and Ruins, curated by Zanny Begg, Tin Sheds Gallery, University of Sydney
Regimes of Value, curated by Elizabeth Gower, VCA Gallery
Game On, curated by Toni Bailey, Casula Powerhouse, Sydney

Ocular Lab Inc., VCA Margaret Lawrence Gallery, Melbourne
Westpac Redlands Prize, National Art School, Sydney

Trophy Wife, curated by Sarah Jones, DEATH BE KIND, Melbourne
Delux Edition #1 Delux Media
Have you ever, Hotel Lincoln Art Projects in partnership with the Ian Potter Museum of Art, Melbourne

Hobart Art Prize, Tasmania Museum and Gallery, Hobart
Monumental Effect, DEATH BE KIND, Melbourne
Time Lapse Mega Mix, Next Wave Festival, Melbourne

Unfinished Business: Perspectives on art and feminism, Australian Centre for Contemporary Art, Melbourne

BoxCopy, Brisbane
Fremantle Arts Centre Print Award finalist exhibition

Curating Feminism, Sydney College of the Arts Galleries
Benglis 73/74, Sutton Project Space, Melbourne
Re-Raising Consciousness, TCB, Melbourne

Anna Dunhill, ‘Elvis Richardson’, Art Guide Australia, 28 April

Andrew Stephens, ‘Are we still watching? Why TV is facing its biggest test’, The Age, 1 May
‘Kylie Johnson talks to Elvis Richardson’, Contemporary Art Tasmania, 10 February

‘Q&A with Elvis Richardson’, NAVA, October 15

Daniel Mudie Cunningham, ‘Elvis Richardson: Scaling Second-Hand Mountains’, Eyeline, issue 68

Daniel Mudie Cunningham, ‘eBay and the Travelling Museum: Elvis Richardson’s Slide Show Land’. Eds. Ken
Hillis, Michael Petit and Nathan Epley. Everyday eBay: Culture, Collecting and Desire. New York & London:
Routledge

John McDonald, ‘After Hours’, Financial Review, 13 March
Anne Loxley, ‘An angel in disguise’, Sydney Morning Herald, 3 March
Elastic, A book
Anita and Beyond Catalogue, image and essay by Elvis Richardson

Tanya Peterson, ‘Slide Show Land’, Eyeline, Winter
Bruce James, ‘Slide Show Land’, Sydney Morning Herald, 16 June

Alex Gawronski, Broadsheet, January
Leah McLeod, Globe journal

Courtney Kidd, ‘Galleries’, Sydney Morning Herald, 3 April
Courtney Kidd, Australian Art Collector, April

ROI Award

Australian Post Graduate Award

NSW Marketing Grant

Columbia University Presidents and Provosts Initiative Award and Grant
Columbia University School of the Arts Travel Grant

The Anne & Gordon Samstag International Visual Arts Scholarship

Pat Corrigan

Artbank

QAGOMA

Cruthers Collection of Women’s Art

City of Fremantle